April 16, 2024

Here we go again. Another blasphemous anti-Christian movie is in the works. Moviemaker Paul Verhoeven appears to be on the verge of making a major film that will besmirch Jesus.

The Dutch director who made Basic Instinct, Robocop, and Showgirls has now reportedly found funding and a writer for a movie to be based on his 2010 book, jesus of nazareth [sic].

The book asserts the myth that Jesus may have been the product of a rape of the not-so-Virgin Mary by a Roman soldier. That statement alone says all you need about this upcoming movie, if indeed it ever makes the big screen. I pray it will not.

According to the scholars, even ones not friendly to conservative Christianity, there is not a shred of historical evidence for the premise of Verhoeven’s proposed film. Thus, the whole thing will help promulgate a lie. We’re entitled to our own opinions, but not our own facts.

Dr. Paul L. Maier, a best-selling author who is a Harvard-trained professor of ancient history at Western Michigan University, sent me an email statement on the idea that Jesus was a product of a rape: “This crude, worthless claim is old and discarded by all serious scholars. The rapist Roman soldier was supposedly a fellow named ‘Pantera,’ which is a corruption and misunderstanding of ‘parthenos,’ Greek for ‘virgin’ and applied to Mary. This is an example of the silly season on sensational Jesus claims.”

I also sought a comment from Dr. Darrell L. Bock of Dallas Theological Seminar. He wrote me, “Assuming [the story about the movie] is real, you can simply note this charge is a later effort to slander Christian claims and is not historical.”

Although a filmmaker and not a theologian per se, Mr. Verhoeven has been a part of a radical group of 70+ scholars called the Jesus Seminar. This group sat in judgment on the words of Jesus as found in the four Gospels. They voted—anonymously—that Jesus supposedly only said (for sure) 18% of that which is attributed to Him in the Gospels. Their judgments were not based on any manuscript issues, but rather their own opinions. (They threw out everything Jesus said in the Gospel of John—even though John was an eyewitness of Jesus.)

The late theologian and author, James Montgomery Boice, once said of the Jesus Seminar: “Imagine a group of scholars, now, two thousand years from the time that Jesus lived and whose words were written down by eye witnesses, a group of scholars two thousand years later voting in a meeting on what Jesus really said and what He didn’t. That is laughable.”

If Verhoeven makes his movie, here’s an easy prophecy to make: It will fail spectacularly.

When I first heard about this potential upcoming movie the other week from my favorite missionary to Hollywood, Dr. Ted Baehr, publisher of Movieguide, I said to him in an email about these kinds of anti-Christian movies: “We get darned if we do (speak out against it, which supposedly increases the attendance) and darned if we don’t.”

Ted responded: “Since we do the numbers, I have never ever seen speaking out drive up box office [traffic]. That is an urban myth. We have countered many movies and television [shows]. LAST TEMPTATION cost over $50 million, and made about $8 million. We pulled the teeth on GOLDEN COMPASS. We got PLAYBOY CLUB and GOOD CHRISTIAN B**** off TV.”

I remember well, back in 1988, the controversy surrounding Martin Scorsese’s blasphemous movie, The Last Temptation of Christ, that Ted refers to.

Some of the $8 million dollars or so that it made came because of movie-goers that wanted to defy the Christian protesters. As a Jewish friend of mine told me at the time, he went to see the film because “Jerry Falwell made [him] do it.” My friend told me that as a movie, it was horrible—not that he had any qualms about the bad theology or bad history. He said that that film belonged only in art theatres or the like. (No offense to art theatres).

Successfully (and respectfully) translating Jesus to the big screen is obviously not always easy. Perhaps that’s part of the reason for the old notion that religion is box office poison.

But didn’t Mel Gibson prove that wrong? In 2004, knowing that Hollywood had already shunned him for daring to make The Passion of the Christ, he successfully marketed his movie to the church crowd.

During Lent 2004, he managed to fill many theater seats with his very moving picture. His movie made hundreds of millions of dollars, even though it totally lacked Hollywood’s imprimatur.

Mel Gibson proved that there was a huge potential audience for pro-faith movies. He crashed through the gates and paved the way for more faith-friendly box office fare.

I remember shortly after that, Hollywood released Saved, a very anti-Christian movie about religious hypocrites at a Christian school. The moguls probably figured, “Hey, maybe religion sells after all.” So they released the movie, which bombed—because generally Christians are not going to see a movie that ridicules their faith and degrades their Savior.

The difference between The Passion of the Christ and Saved, apart from all the quality differences as to story-telling, was the difference between showing respect versus denigrating the professed religion of the majority of Americans. That will be the difference between The Passion and Verhoeven’s movie—if it ever makes it to the silver screen.